Australasian Association for Theatre, Drama and Performance Studies (ADSA) 2012 Conference Proceedings
Edited by Bree Hadley & Caroline Heim
Queensland University of Technology
ISBN 978-1-921897-22-1
'Compass Points: The Locations, Landscapes and Coordinates of Identities' the Australasian Association for Theatre, Drama and Performance Studies (ADSA) Conference 2012 was held at Queensland University of Technology, July 3-6 2012. The Conference was sponsored by the Australasian Association for Theatre, Drama and Performance Studies (ADSA), Queensland University of Technology (QUT), Ian Potter Foundation, Arts Queensland, La Boite Theatre Company and Queensland Theatre Company.
The papers selected for this collection represent a small sample of the scope, depth and diversity of scholarship presented at the conference - they cover a range of genres, cultures and contexts in contemporary performance making from autobiography, to playwrighting, to public space performance and beyond.
The papers collected have been peer-reviewed to Australia’s Department of Education, Science and Training (DEST) standards - each has been subject to two blind reviews, followed by acceptance, rejection or revision, and editing of accepted papers - by colleagues from Australasia and overseas. The review process for the conference publication was separate from the review process for acceptance of abstracts for the actual conference presentations. The conference convenors, Bree Hadley and Caroline Heim, edited the collection, and would like to thank all those who gave their time to advise on the peer review process and act as reviewers - Tom Burvill, Christine Comans, Sean Edgecomb, Angela Campbell, Natalie Lazaroo, Jo Loth, Meg Mumford, Ulrike Garde, Laura Ginters, Andre Bastian, Sam Trubridge, Delyse Ryan, Georgia Seffrin, Gillian Arrighi, Rand Hazou, Rob Pensalfini, Sue Fenty-Studham, Mark Radvan, Rob Conkie, Kris Plummer, Lisa Warrington, Kate Flaherty, Bryoni Tresize, Janys Hayes, Lisa Warrington, Teresa Izzard, Kim Durban, Veronica Kelly, Adrian Keirnander, James Davenport, Julie Robson and others. We, and the authors, appreciate the rigour and care with which peers have approached the scholarship presented here.
This collection was published in final form on July 3rd 2012, the first day of the ADSA Conference 2012.
Papers from this collection should be referenced as: AUTHOR (2012) “TITLE” in Compass Points: The Locations, Landscapes and Coordinates of Identities in Contemporary Performance Making, Australasian Association for Drama Theatre & Performance Studies (ADSA) 2012 Conference Proceedings, ed. Bree Hadley and Caroline Heim, Queensland University of Technology, 2012. Copyright in each of the articles that appears in this collection rests with the author. Apart from any fair dealing for the purposes of study, research, criticism or review as permitted under the Copyright Act (1968), no part of Compass Points: The Locations, Landscapes and Coordinates of Identities in Contemporary Performance Making may be reproduced without permission of the author. In cases where the author permits their paper to be reproduced, the following acknowledgement should appear – “This paper was originally published as AUTHOR (2012) “TITLE” in Compass Points: The Locations, Landscapes and Coordinates of Identities in Contemporary Performance Making, Australasian Association for Drama Theatre & Performance Studies (ADSA) 2012 Conference Proceedings, ed. Bree Hadley and Caroline Heim, Queensland University of Technology, 2012.”
Please note that there is no overall page numbering system for the proceedings as a whole - the page numbering begins at 1 in each paper in the collection.