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Collection

Introduction

Introduction: Navigating the Field of Contemporary Performance, Bree Hadley & Caroline Heim PDF [0.1MB]

Creating Performances: Identity, Memory and Meaning-Making

Facts and Fictions: Landscapes of Memory, Imagination and the Brain in Performance Making, Kate Hunter PDF [0.1MB]

Landscapes of Making: Autobiography, Memory and Devised Performance, Rea Dennis

Evoking, Excavating and Analysing Landscape in the New Play Salvation Roses: Constructions of Identity, Culture and Meaning from a Dramatic Position, Linda Hassall PDF [0.2MB]

Mise-En-Scene: Scenography, Intermediality and Meaning-Making

Unity, Contrast and Topology as the Three Coordinates of Scenography, Michael Smalley PDF [0.1MB]

Don’s Party and the AV Jennings ‘Type 15’ Home, Kirsty Volz PDF [0.3MB]

Public Space Performance: Identity, Society, Subversion

Claiming their Right to the West: Big West Festival’s Production of Taxi, Julie Shearer PDF [6.3MB]

Mapping the Performative Geography of a Latter Day ‘Happening’, Paul Davies PDF [0.3MB]

Performance Across Space, Place and Time: Australasian Readings of Asian, American and European Practices

Lodestone or Leadweight: How Shakespeare ‘Means’ at the New Zealand International Arts Festival, James McKinnon PDF [0.2MB]

Two Belles in Love: Staging a ‘Tradition’ of Sexual Diversity in a Grand Scale Contemporary Chinese Opera, Megan Evans PDF [0.2MB]

The Shift in How ‘Home’ Is Encountered in the American Musical, Nathan Hurwitz PDF [0.2MB]